![]() ![]() And Nat Cole was one of the first African-American jazz musicians to cross over in such a successful way. SPELLMAN: Murray, the trio had a lot of prominence for a long time. And that keeps you on the edge of your seat, even if it's a beautiful ballad. Where he places notes, how he phrases, where he starts words, and where he ends them, always have to me a swing pulse - a pulse that sort of challenges the rhythm of the song, or plays against it in some way. You think of Nat Cole, and you think of this velvet smooth sound. Now what I mean is, he's a very rhythmic singer. HORWITZ: They should listen for a jazz sensibility. SPELLMAN: How would you characterize Nat's style as a singer? What should listeners pay attention to when they hear him crooning? Oscar Moore is on guitar and the great Nat King Cole is on the piano. The song is "It's Only a Paper Moon." Johnny Miller is on bass. Bass, piano, and guitar - the original Nat King Cole Trio. We can now say with some certainty at the remove of fifty or more years.īut you put your finger right on it, A.B. MURRAY HORWITZ, American Film Institute: Yeah, and of course he was an instrumentalist before he was a singer, and really one of the greatest jazz pianists of all time. That's a great piece of instrumental work by Nat, and he was a great instrumentalist as well as a singer, wasn't he? SPELLMAN, National Endowment for the Arts: So Murray, that's some very tight trio playing by Nat Cole and his friends. ![]()
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